(38 votes, average: 3.37 out of 5)

 Loading …

Rent Movie.com movie reviews presents The Amityville Horror movie review a 2005 film starring Ryan Reynolds, Melissa George and directed by Andrew Douglas A family is terrorized by demonic forces after moving into a home that was the site of a grisly mass-murder. George & Kathy Lutz and Kathy’s 3 children are moving into an elegant Long Island home. Read all movie reviews

    

(9 votes, average: 3.33 out of 5)

 Loading …

Rent Movie.com movie reviews presents The Night of the Hunter movie review a 1955 film starring Robert Mitchum, Shelley Winters and directed by Charles Laughton A sinister crook posing as a preacher pursues two children for the secret they are privy to of the location of a cache of money . Read all movie reviews

    

(25 votes, average: 3.32 out of 5)

 Loading …

Rent Movie.com movie reviews presents Cat People Movie Review a 1982 film starring Nastassja Kinski, Malcolm McDowell and directed by Paul Schrader They Are Something More Than Lovers Who Are About To Become Something Less Than Human. The Cat People originated way back in time, when humans sacrificed their women to Leopards, who mated with them. Cat People look similar to humans, but must mate with other Cat People. We follow brother and sister - who seem to be the only ones of their kind left… Paul Schrader, the director of American Gigolo, brought a similar kind of sexual chic to this explicit horror movie. A remake of the beautiful, haunting 1942 Cat People, this version takes off from the same idea: that a woman (Nastassja Kinski), a member of a race of feline humans, will revert to her animalistic self when she has sex. Arriving to meet her brother (Malcolm McDowell) in New Orleans, she finds herself disturbed by his sexual presence. A zoo curator (John Heard) becomes fascinated by her, but he will discover that her kittenish ways are just the tip of the claw. Schrader dresses the story up in a stylish, glossy production, keyed on Kinski’s green-eyed, thick-lipped beauty; it’s hard to think of another actress in 1982 who could so immediately suggest a cat walking on two legs. Luckily Kinski had a European attitude toward her body, because this film has plenty of poster-art nudity. There’s also lots of gore and some wacky flashbacks to the ancient tribe of cat people, who hold rituals in an orange desert while Giorgio Moroder’s music plays. Cat People doesn’t really make all this come together, but it’s always interesting to look at, and the dreadful mood lingers. –Robert Horton

In general terms, the basic premise of both original 1942 CAT PEOPLE and the 1982 Paul Schrader remake are the same: an exotic European beauty is given to transforming into a black panther when sexually aroused. But Schrader unravels this fantasy concept in some very Freudian directions, setting his version in against the decadent charm of New Orleans, introducing a theme of incest, and ramping up the original with a lot of nudity, a lot of sex, and some of the most graphic violence around. The result is an American blood-and-gore horror film with a hypnotic European sensibility that equates both sexual frustration and orgasm with violent death. The story line concerns two orphaned siblings (Natasha Kinski and Malcom McDowell) who are reunited in New Orleans as adults-but they are, unbeknownst to the sister, the descendents of a mutant race who can only mate with their own kind without transforming into ravening beasts who must then kill to regain their human form. When sister Natasha rejects her brother’s advances and then falls in love with a hunky zoo director all hell breaks loose. 

In some respects the film is extremely, extremely frustrating, often sliding over the edge from a sexually provocative shocker into moments of annoying silliness-but on the whole it works extremely well as a both a sexual fantasy and the penultimate statement in gratuitous sex and violence. Kinski is ideally cast as the sexy but virginal Irena; you can literally see the “cat” side of her nature emerge more and more as the film progresses. McDowell is equally interesting as her mad brother, and John Heard, Annette O’Toole, and particularly Ruby Dee offer excellent performances in the supporting cast. The New Orleans backdrop is extremely effective, and (speaking as one who has been there) the darker side of the city is perfectly captured; the Moroder score-which includes some sultry vocals by David Bowie-is also extremely good.

A great many people will loathe CAT PEOPLE, and the reasons will be diverse. The film is extremely bloody, often to a can-you-stand-to-look-at-the-screen degree; there is tremendous nudity and considerably sexual activity; and the combination of sex and violence into a sadomasochistic eroticism is quite disturbing. Beyond this, more critically inclined viewers may find themselves annoyed by the script’s occasional silliness and the fact that it does not always go as far over the top as it leads you to expect, and the film’s very literal depiction of fantasy elements will certainly not to be every taste. But if you have a hunger to walk on the wild side, CAT PEOPLE (which is rapidly gaining status as a cult film) will suit your need as guilty pleasure. A personal favorite.

Read all movie reviews